2,024 Royalty-Free Audio Tracks for "In C"

A metal like trill, maybe good for an intro recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Traditional Egyptian song performed by Munira al-Mahdiyya. Baidaphon record n° 23045. Matrix n° 2345 [1].

Clean guitar skanks recorded with a "fender twin reverb" and a "standard fender strat" in the bridged position between bridge and middle pickups. Miked with sm58. Try our reggae guitar "skank" kontakt instrument "skankmaster". Http://www. Andydrudy. Com/stuff. Htm.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

A decade later from not using reason. . . Made this sinthe first thing : ) this diddy is at 115 bpm somewhat in the key of c. Please destroy. . . I mean enjoy. O. O.

This is the sound of a jacket zipper going up and down at various speeds. While it is from a jacket, it does sound also like the zipper from a tent as well. This was recorded with an akg c-214 condenser microphone in my home studio.

Funky solo saw synth loop to beef up your groovy track! i've made one in every minor key, all at 110bpm for maximum percussive funk!. All my sounds are free to use commercially, but donations are always appreciated!.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Traditional music from Syria performed by Mohamed Effendi El-Achek. Gramophone Concert Record n° G.C. 5-12433. Matrix n° 8106o/8107o [1].

Piano Sonata No. 32 in C minor, Op. 111. First bars perfomed by Daniel Veesey cropped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Перші такти Виконує Daniel Veesey Вирізка User:A1

Simple retro video game sound effects created using the amazing, free chiptone tool. Http://sfbgames. Com/chiptone. For this pack i selected the boom generator as a starting point. I tried to stick to c as the root note. Well, maybe not so much in this one. . It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.

Recorded in my studio on my akg c-214 microphone. This is a simple guttural scream that i used for a project i was working on. It is me screaming from about 2 feet from the microphone. There is a clean version and another that is processed with reverb to make it sound like i am in a canyon.

I recorded a viola for a theatre project. I recorded it in a dry room, close mic with a neumann tlm103. Some samples are just noises of the bow on the c or d string, then once in a while creating overtones, other samples contain some processing with echoboy by soundtoys. Amazing plugins they make!. Feel free to use the samples in any way you like. If you use it in a project i am always curious to hear it. Comments and questions welcome.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

A recording of my grandfather's old pendulum wall clock, made in about 1926. The mechanism is worn and ticks unevenly, with occasional clunks from damaged cogwheel teeth. Recorded from inside the case, it is entirely unedited so contains slight ambient noise.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

Taped a pair of jrf c-series contact mics on a small, very quiet wristwatch to see if i could get a good signal. Pleasantly surprised by the result. Removed the quartz hum and de-noised in rx 7.

This is a short little loop i made while experimenting with a new synth i got, the arturia microfreak. It's a nostalgic sounding, kinda cheerful, but also sounds a little bit like a goodbye. It should be a seamless loop, and is in c major.

A nu rock sounding lead recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully don't turn my head to keep the sound clean and coming from the same direction. This was recorded in the burbank town center food-court area. I was careful to avoid specific conversation for legal purposes. There was a cranky baby nearby, so you get an occasional frantic cry. This would be perfect for any project taking place in a large, public center with a tile or stone floor and lots of movement. Enjoy,. Christopher c. Courter.

Label: Decca Records Cat. no.: K 1129 Order number: AR 8997 Matrix/StamperID: AR 8997-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 4th Movement: Allegro (Conclusion) Genre(s): Symphony Comments: -

Meteor sound fx, the effect was recorded playing with a cardboard and a brush, and some reverb and eq fx were added in adobe audition. Visit my youtube channel to hear my sound and musical works: https://www. Youtube. Com/c/luishumanoide.

This is the nord lead 2, it's my new baby synth, other than the micron this thing spits out mad b. O. C. And cex like strings and tones, these are some midi rythms made in fl 8 beta.

This is from a library of sounds i call "pet sounds", after the plastic material pet that's mainly used for water bottles. This library contains various sounds/loops created by using waste plastic in an attempt to give this noxious material at least some useful purpose by acoustically "upcycling" it.

Dark, gritty action-esque electronic rhythm inspired by what i imagine a corrupted android would sound like. 100% loopable. Cut it, warp it, splice it however you'd like!. 130 bpm, made in fl studio. Credit is welcome, but not required.

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

A nu rock sounding riff, palm muted recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

A nu rock sounding riff, openly strummed recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

I designed these fragments/loops to be used individually or to build a longer song by stretching the loops and combining them in a linear way. Ideal for creators of videos for babies. Loops 100 bpm 24 bit.

Traditional music from Ghana performed by Salifu Titah’s Band. HMV record n° TM.1084. Matrix n° OAB-3699-1. [1]

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

Piano Sonata No. 21 in C major,Op. 53, Waldstein. I. Allegro con brio. Sonate pour piano n° 21 en do majeur, opus 53. II Allegro con brio.

This is a recording of a vitamin c tablet dissolving in a cup of water. Recorded with an edirol r-o9 and a nice hydrophone. By lifting the hydrophone in and out of the water some very nice filtering effects where created. This sound has many applications for sound design!.

A dark, rainy night just outside of wilmington, north carolina. In the little town of leland, the banks of the cape fear river overflowed into the marshlands and a chorus of frogs burst forth with beautiful song. Enjoy. - christopher c. Courter.

Unrestored version of File:Nicola Zerola, Giuseppe Verdi, La fatal pietra (Aida).ogg. La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Snippets from recordings of me playing the tanpura. Tuned to e flat, the notes from top to bottom are b flat, e flat, c, low e flat. In traditional indian tuning the root note in the scale is referred to as sa and is e flat in this scale the fifth note (b flat in this scale) is referred to as pa and the sixth note (c) is dha. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Crude arpeggio and single note taps of the inner strings of an early-20th-century chas m. Stieff upright piano. This particular model was made in baltimore and spent most of its life in the lobby of the willard intercontinental hotel in d. C. , and the last 30 years in our home in fairfax, virginia. We are dismantling part of the piano to repair, clean, and, unfortunately, sell it. The mechanism for one note is the only problem, and, of course, it needs tuning. Anyone willing to give this a good home?.

Label: Decca Records Cat. no.: K 1128 Order number: AR 8995 Matrix/StamperID: AR 8995-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 3rd Movement: Allegro (Conclusion) / 4th Movement: Allegro Genre(s): Symphony Comments: -

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

January 30, 2014. A major ice storm moves in to the east coast of the united states. Sitting in a small cabin in the woods of north carolina, the sound of ice particles (sleet) hitting a stove-pipe can be heard. It's cold. It's bleak. The power has just cut off. Sitting on the floor with a zoom h4n, i recorded the soundscape. Enjoy!. - christopher c. Courter.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).